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Or flesh and marble, or illusion and reality, or life and death. For this reason, Theodora Goodman, you must accept. And you have already found that one constantly deludes the other into taking fresh shapes so that there is sometimes little to choose between the reality of illusion and the illusion of reality.

Each of your several lives is evidence of this. It has been interesting, she said, and at times lovely.

The Aunt's Story by Patrick White

It is , Holstius said. Your sense of permanence is perverted, as it is in most people. We are too inclined to consider the shapes of flesh that loom up at us out of mirrors and because they do not continue to fit like gloves, we take fright and assume that permanence is a property of pyramids and suffering. But true permanence is a state of multiplication and division.

As you should know, Theodora Goodman. Faces inherit features.

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Thought and experience are bequeathed. For this reason, Theodora Goodman did not thank, or think much more about Holstius. In the act that she was performing, waking up the slow hill towards the house, his moral support was assured. Now his presence was superfluous.

The Aunt's Story

Jun 18, tom gunther added it Shelves: favourites. Very w the aunt's story rejects any holistic understanding, if one comes at it searching for one the book will fall apart. Very well then I contradict myself, I am large, I contain multitudes. View 1 comment. Patrick White's The Aunt's Story is one of the most beautiful books I've ever read, but it's also - without a doubt - one of the most pretentious books I've ever read.

It's full illiterate verbal sludge and overly ambitious nonsense. However, I'm glad I read it, I would suggest that you only read this if you already have an interest in Modernist literature and a lot of time on your hands. If you do decide to start reading this book though, there are some things you should keep in mind: - Wh Patrick White's The Aunt's Story is one of the most beautiful books I've ever read, but it's also - without a doubt - one of the most pretentious books I've ever read. If you do decide to start reading this book though, there are some things you should keep in mind: - White was highly influenced by Modernists like Virginia Woolf you should probably read To the Lighthouse before tackling The Aunt's Story.

They're both very similar. I hated it.

A perfect example of someone writing complete nonsense, then trying to pass it off as symbolic, meaningful and groundbreaking. None of his artistic choices were justifiable. It was a mess just because it could be. I have no idea why they gave this guy a Nobel Prize for literature, he'd have been better off with a knock about the head.

His writing is senseless and obnoxious.


The Aunt's Story

Having to finish it was like wading through a swamp, his style was so dense. I even had to get google translate I hated it. I even had to get google translate out because half of it was is goddamn french, and for no good reason, either. A complete waste of time. It would be easy to say that this was about a daughter who lives in the shadow of her pretty sister, ends up looking after their mother until the latter dies, then travels to Europe from Australia, and after that goes to America, but that would only touch on what this book is about.

Patrick White is an amazing writer, sometimes I haven't a clue what's going on, but I love his books. Jul 15, George K. Ilsley rated it liked it Shelves: australia , fiction. An early work that shows White's promise, but is not one of his masterpieces. If I recall, there are two sections here, written at different times, which do not totally mesh. However, it is hard to find fault with White. It's only by comparing this book to his others that it pales. The slow fall of madness. So confusing. I don't understand guys. Feb 13, Alana Dominique rated it did not like it Shelves: uni-books-to-read.

I had to play "you're the best around" song after it took me a week to finish it. The first part was interesting, however i was lost as soon as Theodora left for Europe. Definitely need some clarifying on the last two thirds of the novel. The literary equivalent of micro-dropping LSD at a dinner party hosted by conservative distant relatives.

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Jan 22, Conor rated it it was amazing Shelves: This was a marvellous slog of a read. Divided into three sections, the beginning and end are comprehensible and interesting, but the bulk in between is esoteric and for me, with this reading, largely indecipherable. Is it a modernist text? Not as soon as the second section started. It lost me completely. Hell, I might even re-read it this semester if I write my essay on it. As for the ending, Theodora decides to willingly submit to the treatment of an American shrink, in an ending reminiscent of A Streetcar Named Desire.

I want to talk about theme briefly, because in the final section of the book, much more became clear. This is a Nietzschean idea from what little I know about Nietzsche in the sense of his Ubermensch, a person who is capable of truly understanding this. And part of what makes her who she is, is the way she lives vicariously through other people, imagining their lives.

Hard to say without re-reading. Overall, a very interesting book. Not one I particularly enjoyed, but I get the feeling that I will enjoy it when I re-read it. In those novels, these other-sensing characters more concretely interact with their surroundings than does the aunt, though their ability to interact socially is no easier.

Or was it dereliction? Why, too, is Theodora a victim of her superior sensibility or is it superior? Feb 21, Sophie rated it really liked it Shelves: book-challenge.

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This review has been hidden because it contains spoilers. To view it, click here. I'm going to be honest - this was a difficult read for me, in many ways. Firstly, I found the blurb on the back of the book very misleading, and so the storyline wasn't what I imagined it might be. Secondly, it took a while to get into the writing style in the first section, and the second section was really confusing.

Finally, when revealed in the third section, the subject matter was something very close my heart and experiences, as my Nana suffered from dementia. However, once I go I'm going to be honest - this was a difficult read for me, in many ways.

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  8. I loved it all, fell in love with her attitude and behaviour and the world she had created for herself. Whilst the second section was bloody confusing, upon reflection I loved the symbolism and connections to both Theo's decline into poor health, and how characters resembled parts of her personality, as well as reflections on society, war and blurring the lines of reality.

    Theodora edits herself out of the real world, and into those lives she chooses, allowing herself to imprint her characteristics, and reflect her own struggles, as well as the cultural struggles of the day. Ultimately, I'm glad I read this book. It was hard work, but I hope when rereading it, I will be able to delve deeper and see detail that I have not seen or appreicated on the first read, whilst trying to grasp White's genius style and imagery. Wow - what a ride. While I think that Patrick White is an incredibly skilled and innovative writer, I think that perhaps his style is a little too ambiguous.

    This is a novel rich with metaphor, symbolism, and other such techniques, but to the point where I was lost as a reader. The language is beautiful, and some of the themes covered are intriguing because I've never read about these topics from such a nuanced perspective. However, for me the perspective is too nuanced. The fragmenta Wow - what a ride. The fragmentation of character, plot, story, and setting from Part 2 onwards is too confusing for me.